« Pelléas et Mélisande — Paris 1902, une promenade dans le mystère français » (1)

Pelléas et Mélisande by Claude Debussy—an opera where characters whisper instead of singing, hesitate instead of acting, and drift off without explanation, leaving audiences puzzled, dozing, or sometimes erupting in sudden, inexplicable laughter. Could this truly be the most French work in the operatic repertoire?

Nicolas Cauchy invites you on an hour-long adventure through this delicate, mysterious world—full of music, stories, and testimonies. Expect a playful journey brimming with charm, gentle irony, and bursts of emotion, as if you could step straight into the overflowing richness and bubbling creativity of early 20th-century Paris.

All of this is offered in quiet homage to José van Dam, the distinguished Belgian Golaud, recently departed.